James Carey's practice focuses on the blurring of architecture, design and art. He works between the interior and exterior, art and design, the familiar and the unfamiliar, the concepts we create and the glitches that surprise us. Interested in addressing vernacular forms and spaces, acknowledging the ordinary and everyday, then creating a disquieting slippage between the norm and the veiled.
The Bristol Building installation by James was created with black acrylic paint covering the corner of the class room and a chair positioned facing the wall.
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